The track is the first to be lifted from the Los Angeles-based songwriter’s, difficult to say the title of, new album, Never Not Never Not Never Not.ĭiscussing the track, Rosie has suggested it is a celebration of, “ the incredible spectrum of characters dressed to impress at your average regional queer watering hole. What it lacks in early noughties nostalgia though it more than makes up for in actually being a good song. Thankfully, or sadly we’ll let you decide, Rosie Tucker’s new single Gay Bar isn’t a cover of the Electric Six classic. Girl! Rosie Wants To Take You To A Gay Bar Click HERE for more information on Los Bonsáis.ģ. Hinoki is out February 15th via Elefant Records.
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Translating as, I Don’t Want To Go Outside, ¡No Quiero Salir! is Los Bonsáis’ anthem for the lazy, kind of fitting after four years off! What’s most remarkable about ¡No Quiero Salir! is just how fresh the band still sound the shuffling Cure-like bass-line, the almost child-like lead guitar line, that perfectly understated, almost dead-pan vocal, nobody sounds like Los Bonsáis anymore, maybe nobody else ever did.
#GAY BAR LYRICS ROSIE TUCKER FULL#
After previously releasing two brilliant mini-albums, full of indie-pop gems with a distinct Spanish-charm, the band have this week announced a brand new album, Hinoki, and shared the first track from it, ¡No Quiero Salir! It’s been four long years since we last heard from Los Bonsáis, the Asturian-duo of Nel González and Helena Toraño, and frankly we hadn’t quite realised how much we missed them. The Odds Were All Beating Me is out now via Den Tapes. Having already played with the likes of Whitney Ballen and Jo Passed, Antonioni are a band starting to garner an impressive reputation, the release of The Odds Were All Beating Me should cement their place as a band well worth keeping your eyes on.
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The track builds to a skittering indie-pop crescendo the sort of song that used to soundtrack the best nights of your life, screaming your heart out in the sweatiest basements. After a clatter of drums and shimmy of sultry guitar brings the track roaring to the life, vocalist, Sarah Pasillas comes to the fore, likes the middle-ground of Debbie Harry and Neighbor Lady’s Emily Braden. Ahead of sharing that record, the band recently shared their excellent new single, Stutter-Step.ĭescribed by the band as a, “post-punk dance cut”, Stutter-Step is something of a departure for Antonioni. Things for the band have been a little quiet since, however that all looks set to change with release of their follow-up, The Odds Were All Beating Me. Seattle-quartet Antonioni emerged back in 2017 with their jangle-rock debut EP, Lullablaze.